a print of a pale pink suburban house with a slightly skewed perspective

Gabrielle Garland

Anything worth having hurts a little

€250

Edition of 17061.0 (H) × 61.0 (W) cm

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For a time-limited print edition, Gabrielle Garland concocts a vision of domestic bliss.

Garland’s enticing homes – alive with pastel hues and skewed perspectives – are inspired by photographs taken around her New York neighbourhood. Anything worth having hurts a little borrows its title from a line in The Neon Demon (2016). References to film, TV and music in Garland’s titles hint at the limitless stories hovering just beyond the edge of her canvases. With no figures present, narrative possibilities are endless. A newspaper waits on the doorstep, but for who? Flowers bloom below the window, but who planted them?

The number of artworks produced will be confirmed when the 24 hour release window ends, based on the number of orders placed. Once printed, Garland will add a number to the blue plaque on the front of each house in black acrylic pen – denoting the edition number and making every print unique. Numbers will be allocated chronologically, with the first order recieving house number 1, and so on. Worldwide shipping is free.

Medium

Archival pigment print on 300gsm Bright White 100% Smooth Cotton Ragpaper, with houses numbered in black acrylic pen.

Certificate of Authenticity

Arrives with a certificate of authenticity.

Finishing

Signed, dated and numbered by the artist.

Release date

March 09, 2023

Payment

Pay with bank card, crypto, Apple Pay or Google Pay. If you wish you to use an alternative payment method, get in touch.

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Behind the scenes

00:06

Gabrielle Garland1 collaborationWhimsical and surreal, Gabrielle Garland paints all kinds of houses. Each has a different feel and morphs into stretched and obscure shapes. “For me, space is something we experience visually and haptically, so texture and pattern are essential components of our experience.” Pale pinks, dusty greens and dark blues sweep across the lopsided buildings and driveways. Interestingly, the paintings never show the inhabitants of these spaces. Instead, Garland uses objects and details to suggest their presence – the viewer is left to make their own decisions about who lives there, and how they live.

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Reviews from Avant collectors

this is one of the finest prints I have ever seen. the quality is unmatched. a superb addition to my collection. thank you.
Review of York So Good They Named It Once
I’m so happy I was able to purchase this piece for my husband. The quality is top notch and just looks beautiful. Communication with you all has been so easy. Thanks so much!
Review of Descendent - Lucid Dreamer
the print is amazing. cant wait to frame and hang.
Review of Rainbow Bridge
very impressive package: gloves, certificate etc.
Review of Actual Size
i loved the details of the note and gloves. well done!
Review of Ringers #962: The LACMA Iterations
the experience and artwork far exceeded my expectations.
Review of "The only bond worth anything between human beings is their humanness."
appart from a incredible opportunity to own and enjoy an Ai Weiwei the packaging was exemplary. i have worked pretty much my whole life in the art and museum sector and this impressed me very much, well sone you guys 👍🏻
Review of Guardian
As a longtime buyer of prints and editions I am extremely impressed with my first Avant Arte experience. The attention to quality, detail, packaging and the customer experience are among the best Ive seen.
Review of Untitled

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