For Tom Sachs, the beauty of an object is in the imperfections. The sturdy, DIY aesthetic of his artworks is a counterbalance to the clean, minimal lines of modern consumer products – a stand against inbuilt obsolescence. Sachs works alongside a team in his New York City studio to create large-scale sculptures and installations. They use a huge range of materials, from duct tape and wood to ‘readymade’ objects like lamps and umbrellas. The way the art has been built is always apparent. Screws visible. Glue drips exposed.
