Monotype

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

Bridget Mullen combines rhythm and repetition in a series of unique monotypes.Consisting of 15 individually titled artworks, all differing in colour and form, the series pushes Mullen’s work in new directions. Combining oil based etching inks with extensive hand-finishing in vinyl paints, Mullen experiments with darker tones in a variety of overlapping compositions by enlisting ghost printing techniques. Guided by intuition – no preliminary studies or sketches are required – Mullen begins each monotype with repetitive mark-making and lets the process flow from there.Created in collaboration with 10 Grand Press of New York, the prints are composed by direct painting onto plexiglass plates, running those plates through the press, repositioning them, then continuing that process until the ink runs clear. This method caters to Mullen’s impulsive creative process and brings movement and energy to her work.Discover the series in full.

New and old collide in Christian Rex van Minnen’s absurdist, emotionally-charged portraits. Rare Hero belongs to Avatars, a series of 10 original monotypes created specially for our debut collaboration.Realised through a bespoke process dubbed ‘indirect painting in monotype’ by the artist, each work comprises a series of unique impressions from hand-painted plexiglass plates – evoking the layered technique of historic Venetian painting with an irreverent contemporary vocabulary.“Monotype as a process occupies a strange territory – they are ultimately one of one. Only one can be made.”

New and old collide in Christian Rex van Minnen’s absurdist, emotionally-charged portraits. GN Bearish belongs to Avatars, a series of 10 original monotypes created specially for our debut collaboration.Realised through a bespoke process dubbed ‘indirect painting in monotype’ by the artist, each work comprises a series of unique impressions from hand-painted plexiglass plates – evoking the layered technique of historic Venetian painting with an irreverent contemporary vocabulary.“Monotype as a process occupies a strange territory – they are ultimately one of one. Only one can be made.”

New and old collide in Christian Rex van Minnen’s absurdist, emotionally-charged portraits. Deep Web Golden Bunny belongs to Avatars, a series of 10 original monotypes created specially for our debut collaboration.Realised through a bespoke process dubbed ‘indirect painting in monotype’ by the artist, each work comprises a series of unique impressions from hand-painted plexiglass plates – evoking the layered technique of historic Venetian painting with an irreverent contemporary vocabulary.“Monotype as a process occupies a strange territory – they are ultimately one of one. Only one can be made.”

New and old collide in Christian Rex van Minnen’s absurdist, emotionally-charged portraits. A Sweet Tiger Man belongs to Avatars, a series of 10 original monotypes created specially for our debut collaboration.Realised through a bespoke process dubbed ‘indirect painting in monotype’ by the artist, each work comprises a series of unique impressions from hand-painted plexiglass plates – evoking the layered technique of historic Venetian painting with an irreverent contemporary vocabulary.“Monotype as a process occupies a strange territory – they are ultimately one of one. Only one can be made.”

New and old collide in Christian Rex van Minnen’s absurdist, emotionally-charged portraits. Very Thick Avatar belongs to Avatars, a series of 10 original monotypes created specially for our debut collaboration.Realised through a bespoke process dubbed ‘indirect painting in monotype’ by the artist, each work comprises a series of unique impressions from hand-painted plexiglass plates – evoking the layered technique of historic Venetian painting with an irreverent contemporary vocabulary.“Monotype as a process occupies a strange territory – they are ultimately one of one. Only one can be made.”

New and old collide in Christian Rex van Minnen’s absurdist, emotionally-charged portraits. Very Thin Avatar belongs to Avatars, a series of 10 original monotypes created specially for our debut collaboration.Realised through a bespoke process dubbed ‘indirect painting in monotype’ by the artist, each work comprises a series of unique impressions from hand-painted plexiglass plates – evoking the layered technique of historic Venetian painting with an irreverent contemporary vocabulary.“Monotype as a process occupies a strange territory – they are ultimately one of one. Only one can be made.”

New and old collide in Christian Rex van Minnen’s absurdist, emotionally-charged portraits. The Expert belongs to Avatars, a series of 10 original monotypes created specially for our debut collaboration.Realised through a bespoke process dubbed ‘indirect painting in monotype’ by the artist, each work comprises a series of unique impressions from hand-painted plexiglass plates – evoking the layered technique of historic Venetian painting with an irreverent contemporary vocabulary.“Monotype as a process occupies a strange territory – they are ultimately one of one. Only one can be made.”

New and old collide in Christian Rex van Minnen’s absurdist, emotionally-charged portraits. Hello Fren belongs to Avatars, a series of 10 original monotypes created specially for our debut collaboration.Realised through a bespoke process dubbed ‘indirect painting in monotype’ by the artist, each work comprises a series of unique impressions from hand-painted plexiglass plates – evoking the layered technique of historic Venetian painting with an irreverent contemporary vocabulary.“Monotype as a process occupies a strange territory – they are ultimately one of one. Only one can be made.”

New and old collide in Christian Rex van Minnen’s absurdist, emotionally-charged portraits. GM Bullish belongs to Avatars, a series of 10 original monotypes created specially for our debut collaboration.Realised through a bespoke process dubbed ‘indirect painting in monotype’ by the artist, each work comprises a series of unique impressions from hand-painted plexiglass plates – evoking the layered technique of historic Venetian painting with an irreverent contemporary vocabulary.“Monotype as a process occupies a strange territory – they are ultimately one of one. Only one can be made.”

New and old collide in Christian Rex van Minnen’s absurdist, emotionally-charged portraits. Angry Feels belongs to Avatars, a series of 10 original monotypes created specially for our debut collaboration.Realised through a bespoke process dubbed ‘indirect painting in monotype’ by the artist, each work comprises a series of unique impressions from hand-painted plexiglass plates – evoking the layered technique of historic Venetian painting with an irreverent contemporary vocabulary.“Monotype as a process occupies a strange territory – they are ultimately one of one. Only one can be made.”