Anti-Art
Anti-art rejects conventional definitions of art and raises questions about its nature.
Associated with Marcel Duchamp and the Dada movement, Anti-art originated around 1914. Artists like Duchamp rejected established art definitions, producing works outside traditional or popular art. Anti-art, although unconventional, expanded perceptions of what could be considered art. While some completely abandoned traditional forms, others still used them, like painting and sculpture.
Art historians view Anti-art as an umbrella term encompassing various movements that aimed to break with traditional art forms and concepts. The Dada movement is often considered the earliest of these movements, seeking to create art opposing conventional definitions, aligning with the Anti-art ethos. However, Anti-art could also signify the absence of art; for instance, an empty frame might be described as an example of Anti-art.
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We collaborate with artists to create both limited editions and works on paper.
A limited edition is a set number of similar or identical artworks. The size of the edition denotes the total number of artworks that will ever be made, underscoring their value.
Framing options vary for each piece and are listed on the individual artwork pages. Our standard glazing offer is a minimum 90% UV acrylic plexiglass, or you can upgrade to an anti reflective Optium museum plexiglass.
Yes, 100%. We work directly with our artists to create editions that accurately represent their body of work. Additionally, every artist personally reviews and approves their final editions.
Every artwork is signed or stamped, and individually numbered. You will also receive a stamped and numbered certificate of authenticity.
No—the copyright is not transferred to the purchaser of the edition.
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