People and places are at the core of Sarah Morris’ work. She takes urban landscapes – Rio, L.A., Beijing and Abu Dhabi – and channels the sensory information she feels into shapes and grids. Using household gloss paint on canvas, she fills geometric planes with flat colour. This creates new layers of information – each hue with its own associations. Morris is also known for her work as a non-narrative filmmaker, blending ink drawings and gouache paint to create posters for her works. She describes her films as collaborative and improvisational – a respite from the maths of making paintings. Pop art, minimalism and conceptualism have all played a part in her work. It’s also influenced by sociology and topology, as she explores how our locations impact our emotions.