Abstract painting of a distorted figure with swirling, textured brushstrokes in red, beige, and black, set against a dark background.

Self Portrait with Blue Slash

€1,750

Abstract painting of a distorted figure with swirling, textured brushstrokes in red, beige, and black, set against a dark background.

Antony Micallef

Self Portrait with Blue Slash

€1,750
Limited edition of 65

Sold out


Love this work?

Subscribe to get notified about any cancellations and early access on next releases.

Antony Micallef’s new limited edition print captures the raw instinct of his painting process. 

Self Portrait with Blue Slash was originally painted in front of a mirror. However, Antony does not see himself as the primary subject of the work. Instead, he uses his own likeness as a starting point to see where the light falls, building up thick layers of oil until the paint takes on a life of its own.

To honour the extreme texture of Antony's impasto painted surfaces, this edition was printed as a 57-layer archival pigment print with 3 layers of gloss varnish.

Behind the scenes

Watch founder Tom Murphy of Make–Ready reveal the process behind this remarkable dimensional print edition, created in collaboration with Antony Micallef.
Abstract painting of a distorted figure with swirling, textured brushstrokes in red, beige, and black, set against a dark background.

Ultimately, you are looking for the point where the painting has all of its own agency and you no longer need to guide it through the process.

Antony Micallef
Portrait of Antony Micallef in his studio
Antony Micallef4 collaborationsAntony Micallef isn’t constrained by the boundaries of sculpture and painting. Instead, he uses thick impasto –  the process of layering on paint so it stands out from a surface – to create his 3D pieces. He also pushes this process to the extremes – scraping, twisting and ‘excavating’ the paint. Further texture is added by recycling dried paint from his palette and studio walls. The resulting pieces are distorted, charged and raw. This application is in sharp contract with the flat backgrounds of many of his paintings. Each one uses glazing techniques synonymous with the Renaissance artists like Rembrandt, and can often take weeks to perfect.

Who else should know about this work?

Help us spread the word


Reviews from Avant collectors

  • It's awesome! The artwork quality is superb! I really really loved everything you did - the gloves, the totem bag, the letter... amazing! Thanks so much!

  • Great experience all around, thank you! I love what you do and the fact that it allows me to own artist works whose originals I wouldn't be able to afford.

  • I am satisfied with the neat communication and wonderful packaging regarding the delivery of the work. Thank you.

  • The packaging is always good but this was superb. And the piece exceeded all expectations.

  • love the packaging of the print. superb.

  • Luv, luv, luv! Simple and clean complexity! A genuine piece of Art to love and admire...daily!

  • this is one of the finest prints I have ever seen. the quality is unmatched. a superb addition to my collection. thank you.

  • First of all, the prints was everything we expected. What was a pleasant surprise was the impeccably packaged shipment of the work which went above and beyond anything we would have expected. Great communication and service.


Discover more print editions on Avant Arte

Faux Letters
Available
Linda DouniaFaux Letters€1,700
Bell Bay
Available
Amanda BaldwinBell Bay€800
Untitled (Sandy, from the series “Men in the Cities”)
Draw
Robert LongoUntitled (Sandy, from the series “Men in the Cities”)€5,200
Don’t Let It Bring You Down, It’s Only Castles Burning (For Neil Young) I
Draw
Julian SchnabelDon’t Let It Bring You Down, It’s Only Castles Burning (For Neil Young) I€1,500