boesner Berlin-Neukölln

Painting remains – throughout the work of Melanie Richter – experiment. The color has something stately, processual. The choice of subjects is bold, alternating between the banal and the sublime, the tangible and the intangible, which Melanie Richter is tracking down with her methods and the exclusivity of the motifs: such that she asks questions but avoids exhaustive explanations. Work in transition: The oil painting of a garden room with a view of nature goes through various phases that become clear in the individual work steps. The preliminary drawing in charcoal defines the subject: an interior scene with a view of nature.

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